LOT DETAILS

Materials:

ink on paper

Size Notes:

each

Description:

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Markings:

(1) Signed Moqin, With Two Seals Of The Artist, Mo Qin, Xie Yun Xuan; (2) Signed Moqin, With Two Seals Of The Artist, Zhen Xiu, Chang Zhou Nü Shi; (3) Signed Moqin, With Two Seals Of The Artist, Zhen Xiu, Xie Yun Xuan; (4) Signed Zhenxiu, With Two Seals Of The Artist, Cao e, Zhen Xiu; (5) Signed Moqin Nüshi, With Two Seals Of The Artist, Zhen Xiu Zhi Zhang, Mo Qin; (6) Signed Zhenxiu, With Two Seals Of The Artist, Xie Yun Xuan, Gui Tai Yuan; (7) Signed Zhenxiu, With Two Seals Of The Artist, Cao e, Zhen Xiu; (8) Signed Moqin Nüshi, With Two Seals Of The Artist, Cao Zhen Xiu, Mo Qin; (9) Signed Moqin Nüshi, With Two Seals Of The Artist, Xie Yun Xuan, Xiu Lian Qing Ke; (10) Signed Moqin, With Two Seals Of The Artist, Mo Qin, Hong Ke Yü Qing; (11) Signed Moqin Nüshi, With Two Seals Of The Artist, Mo Qin, Caoe; (12) Signed Zhenxiu, With Two Seals Of The Artist, Mo Qin, Chu Xue Wei Fu Ren; (13) Signed Moqin Nüshi, With Two Seals Of The Artist, Mo Qin, Zhen Xiu; (14) Signed Zhenxiu, With Two Seals Of The Artist, Chu Xue Wei Fu Ren, Gui Tai Yuan; (15) Signed Zhenxiu, With Two Seals Of The Artist, Tai Yuan, Zhen Xiu Yin; (16) Signed Moqin Nüshi Cao Zhenxiu, Dated Jiwei (1799), The Fourth Year Of The Jiaqing Reign, With Three Seals Of The Artist, Mo Qin, Zhen Zhu Mi Zi Fu Rong Pian

Exhibited:

1. Journeys on Paper and Silk: The Roy and Marilyn Papp Collection of Chinese Painting , Phoenix Art Museum, February 28-April 19, 1998. 2. Hidden Meanings of Love and Death in Chinese Painting: Selection from the Marilyn and Roy Papp Collection , Phoenix Art Museum, April 27-September 2, 2013. 3. Lyrical Traditions: Four Centuries of Chinese Paintings from the Papp Collection , The Frist Center for the Visual Arts, Nashville, June 22-October 7, 2007.

Literature:

1. Journeys on Paper and Silk: The Roy and Marilyn Papp Collection of Chinese Painting , Phoenix Art Museum, 1998, cat. 44, pp. 136-146. 2. Chu-Tsing Li, "Looking at Late Qing Painting with New Eyes", in Ju-hsi Chou (Ed.),. Art at the Close of China's Empire , Arizona State University, Phoebus 8, 1998, fig. 4, p. 32. 3. Janet M. Theiss,. Disgraceful matters: The politics of chastity in eighteenth-century China , University of California Press, 2004, cover image. 4. Xiaoping Lin, "Wu Shi'en's. Liang Hong and Meng Guang : A Misreading", in Claudia Brown (Ed.),. Myriad Points of View , Arizona State University, Phoebus 9, 2006, fig. 9, p. 97. 5. Marion S. Lee, "Pleasure and Pain", in Claudia Brown (Ed.),. Myriad Points of View , Arizona State University, Phoebus 9, 2006, fig. 4, p. 153. 6. Chen Liu, "From Narrative to Transformed Narrative: Visualizations of the Heavenly Maiden and the Maiden Magu", in Claudia Brown (Ed.),. Myriad Points of View , Arizona State University, Phoebus 9, 2006, fig. 1-2, pp. 168-169. 7. Chen Liu,. Flowers Bloom and Fall: Representation of "The Vimalakirti Sutra" in Traditional Chinese Painting (Doctoral dissertation), Arizona State University, 2011, pp. 171, 179. 8. Hidden Meanings of Love and Death in Chinese Painting: Selections from the Marilyn and Roy Papp Collection , Phoenix Art Museum, 2013, cat. 13, fig.18-23, pp. 37 and 87. 9. Claudia Brown,. Great Qing: Painting in China , 1644-1911, University of Washington Press, 2014, fig. 5.11, p. 139